Morocco final piece

 

 

 

The Arabic language is made up of beautiful patterns, with dashes and dots used to express accents. Putting that with the Quran, which I find beautiful in itself, represents what I find Morocco to be, using stitch to represent the material aspect of Morocco. This is very different to my usual work but I feel that it accurately describes how I felt about Morocco. I chose white fabric for multiple reasons, as it symbolizes purity and peace – often worn when attending Friday prayers. It is also worn when performing sacred rites of pilgrimage and is what the Umayyads chose to wear for their battle standards when they fought the Abbassid during the Caliphate period, and it has appeared on many Islamic flags since. I have then turned it into a cushion to lift the piece from the ground, much like the Quran, to show respect for the religion.

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Author: alannah3012l5

I am a landscape painter who enjoys spending free time exploring and wandering through natural landscapes, understanding that the space I occupy in this world is tiny and temporary. The aim of my paintings is to evoke the same sense of wonder in the viewer that I experience while on my travels and to ignite the realisation that compared to our surroundings, we are miniscule and blend in, we are not above, nor do we have any higher importance than any other being or thing on this planet. My large oil paintings are designed to be displayed outdoors after being inspired by Katherine Grosse in the Venice Biennale, making them appear small in their surroundings, much like the people in them and the people viewing them. However, my zines and watercolours require more attention, showing that even smaller details contain whole worlds and landscapes of their own. Depending on our own experiences we see the prints differently. The text along with the images encourage the viewer to see the same landscape I see.

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